Grateful Dead Live at Warfield Theater on 1980-09-29
- Grateful Dead
- DeadLists Project
Dire Wolf, On The Road Again, Bird Song, Cassidy, I've Been All Around This World, Heaven Help The Fool, To Lay Me Down, Dark Hollow, Ain't No Lie-> Ripple
Jack Straw, They Love Each Other, El Paso, Brown Eyed Women, It's All Over Now, Candyman, Minglewood Blues, China Cat Sunflower-> I Know You Rider
Althea, Lost Sailor-> Saint Of Circumstance-> Terrapin Station-> Drums-> Truckin'-> Wharf Rat-> Around & Around-> Johnny B. Goode, E: U.S. Blues
First Set Acoustic
-- Seamless disc change between discs 2 and 3
-- Set 1 is acoustic
-- Hopefully someday we'll find the last tape from Joani's master
-- Thanks to Joani Walker and Paul Scotton for the tapes
-- Thanks to Joe B. Jones for his help with the pitch correction
- Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC/16
- San Francisco, CA
- Run time
- Taped by
- Joani Walker and Paul Scotton
- Transferred by
- Charlie Miller
- Warfield Theater
Subject: bread crumb
I'd buy the box set - you listening Dave? All three venues, all the shows. 92/24 digital files...
Subject: My rainy day random selection - WOW
They shake the warm and fuzzies and hold a raunchy psychedelic groove right around El Paso. Third set is FIRE from start to finish!!!
Great sound quality!
The acoustic set comes through nicely on this recording. Again, appreciate how tough it is for the band to amplify acoustic music and for the bootleggers to record it -- this is not as easy as it seems.
The band's performance is not without hiccups in the electric set, but by in large, the band is on tonight.
Subject: A HIDDEN GEM
Thanks Jonie, Paul & Mr. Charlie!
Subject: Keep the Faith
Audience mics are different in that you hear the stage mics amplified through the sound system and the acoustic effect of the hall, and the interplay (reaction) of the listener's.
Listen to Jerry's solo in Crazy Cat Sunflower, it almost sounds like the Midi stop flutes mused in 1989 & 1990. Phil fans enjoy the low frequency interaction between the PA and the Hall.
Matrix recordings are tricky in that the phase (timing) errors of combining both stage mics and audience mics in most cases minimizes any benefits.
Then there's the emotional perspective of the audience participant hopped up on all sorts of "crazy emotions" and who know's what the outcome of that individual will be.
Here is a fine example of a good audience recording made on modest equipment at a time when recording shows was a feat within itself.
Yeah i know, it's China Cat.
Subject: Hot Hot Hot
I get chills listening to the intimacy of this by far best of the current selection available. I am blessed to have run into this new mouthwatering recording. My weekend is complete and it's only Friday!
Your crew and my motha. Thank you. Thank you, very much.
Subject: This Is for You, Mom.
Thank you Joanie.
Thank you Paul.
Thank you Charlie.
And, In honor of Mom, This is the best I could do
Surely am glad you had me so I can be alive to experience all this wonderful music on the Live Music Archives.
Uploaded by Matthew Vernon on